Printed on the surface
UV DTF prints your design onto a film and transfers it onto a hard item, where it sits as a raised layer on the surface. It is best for vibrant designs on hard, curved surfaces — our ceramic trinket trays are made this way — and it reproduces full colour with high vibrancy. The finished print is scratch and water resistant. Because it is a transfer with a defined edge, soft fades into transparency do not carry over; build your artwork with clean edges instead.
The name describes the process: the design is printed direct to film, then transferred from that film onto the item. The result is a layer that sits on top of the surface rather than soaking into it, which is why the finished print has a raised feel you can notice under your fingertip.
It is made for hard goods — including curved ones, where a flat print would be difficult to place. Today the method is used on our ceramic trinket trays.
Full colour, photographs and bright, saturated artwork all reproduce, with high colour vibrancy. Designs that rely on strong colour are exactly what this method is best at.
The printed layer is scratch and water resistant, so it suits an item that gets handled and set down every day.
Because the design is a transfer, it has an outline. Anything in your file that is partly transparent — a soft glow, a feathered shadow, a fade to nothing — cannot be reproduced as a fade and prints with a hard edge instead.
Give every element a clean, deliberate edge. If a soft effect matters to the design, flatten it onto a solid background colour inside the artwork so the transfer has a definite shape to follow.
Your preview shows placement, artwork and colour. It cannot show the raised feel of the finished print, or how that layer catches the light on a curved surface — expect the real piece to look slightly different from a flat image in that respect.